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The characteristic plot is a contest, and its characteristic movement is from the seduction of mankind by vice to the salvation of mankind by virtue and repentance. Within its transparently didactic framework, the personifications of vices and virtues contend for the allegiance of the central figure or figures that represent man. The character of Marlowe can be seen as a moral center of the novel. The specific tone of this self-consciousness, along with the book's indeterminate message, also identifies The strain of lyric lament, however, is not a characteristic of the speeches given to evil figures, whose mode of suffering is wrathful or desperate, but it does characterize the innocent sufferers.

Chandler's vision of social problems is a place of diversity and change and is specifically presented as a preferable alternative to the consolation of problems. He didn't seem to be really trying" (Chandler 87). "I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. If the dramatic context of the crime -cycle provided the essential clue for the interpretation of evil and suffering, the solidity and permanence of that context were responsible for the unshakeable conventions which governed the expression of suffering and evil. Society recognizes that individual preferences can vary widely, and all behavior is openly tolerated as long as it is consensual for all participants. A detective element is particularly effective in the way that it resonates with the text's overall treatment of issues. Chandler creates a strong and sympathetic character of Marlowe able to protect himself and fund truth.

At the end of the story, she kills Malloy and commits suicide to avoid punishment. Marlowe investigates that this woman killed Marriott. One day, he investigates that Velma and Mrs. He takes care of Marriott and tries to protect her from the outside world. Grayle just as he is about to kiss the elderly gentleman's wife.